Spotlight: Fifteen Dead

Okay, quick story for you all. Fifteen Dead are fucking awesome. Story complete. I did say quick. In case you weren't aware, I've loved the recent emergence of dozens of incredible blackened crust bands, and Fifteen Dead are one of the best (along with Ramlord). They've only been around since 2010, but they've already created a discography of impressive size and quality. I still haven't heard the split with Chronocide (I really should - Chronocide are great too, much more of a blackened death sound than Fifteen Dead though), or the live demo, but the rest of the stuff is catchy, angry, and moderately atmospheric. What's more, it's all available on Bandcamp, mostly for free. So seeing as I can't upload, I'm going to treat you all in this manner.

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Can't upload here...

Hi, just letting you know that my university internet is fairly closely monitored so I won't be uploading until December (I have next to no time anyway). There should be a couple of reviews popping up soon too (sorry about the delay to Kabul Golf Club).

Also, because I can't leave without some musical indoctrination, check out Chapel's new album Satan's Rock And Roll (blackened Motorhead worship with awesome songs) and the new Anaal Nathrakh, Vanitas, which manages to be quite a bit better than Passion on first impression.

Unlikely to be many posts until December

I've just got to university and I think internet is monitored, and this, in addition to not having much time, means that I can't post much. I'll try and get one a week up.

Swindon This Is Swindon (compilation) [1980]

WARNING: This release is not remotely extreme in any way, shape or form. If that bothers you, go give Black Pentacle a visit. This certainly deviates from the norm here at Court In The Act, but it's a good deviation in my eyes (which are currently fucked over by hayfever). This is an obscure compilation of bands from Swindon in the early eighties - indeed, these seem to be the only tracks which exist for each of these groups according to last.fm (although Bantu share their name with a reggae artist). So, what about the music? Well, I'm not very good in this area, but I believe this is a rather catchy take on new wave with just a little smattering of punk added for the sake of it - all four bands play similar styles too. I found this on the wonderful no longer forgotten music blog.

320 kbps

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Re-upload: Ulver - Bergtatt: Et Eeventyr 5 Capitler [1994]

Ulver were always overlooked in terms of Norwegian black metal's second wave, but this album, which implemented folk element to a much greater extent than 'Nattens Madrigal...' illustrates why that shouldn't be the case.

Re-upload notes: No particular reason for re-upping this one other than the fact that it's the oldest one that I haven't received a DMCA notification for.

270kbps VBR

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Re-upload: Strapping Young Lad - City [1997]

The insane genius Devin Townsend has created in his lifetime some of the world's craziest, and best music, but this is his best - that's certainly saying a lot. A piece of industrial metal that is avant-garde despite largely holding popular structure, it should not be missed in any metal fan's collection.

Re-upload notes: This contains a few demo versions of tracks as bonuses. I've got to admit I'm not much of a fan of Townsend's post-SYL work but most of the SYL stuff is great.

160 kbps

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Sanctuary - Into The Mirror Black [1990]

Okay, I admit it, I am a power metal fan/faggot (depending on your point of view). I can't help it when some of it is as awesome as this, Sanctuary's second and last album from 1990. You see, power metal is at its best not when writing 7-hour long conceptual odysseys, but rather when they write some ballsy songs (see: Running Wild, early Blind Guardian). And here, Sanctuary write songs with surprisingly socially aware lyrics for metal music - admittedly, the 'Long Since Dark'/'Epitaph' duo isn't quite up to the par of the rest of the album, but the quality of the likes of 'Future Tense', 'The Mirror Black' and 'One More Murder' is beyond question. It's quite thrashy in places too, so could provide an entry album to power metal for those into the more extreme ends of metal. Unfortunately often overlooked when considering the genre, this album is a classic.

192 kbps

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