Okay, so this is very, very similar to King Diamond/Mercyful Fate. In fact, it's probably the best rip-off of the old-school heavy metal resurgence, and they get it absolutely right, including the schizophrenic vocals.320 kbps
Megaupload
Okay, so this is very, very similar to King Diamond/Mercyful Fate. In fact, it's probably the best rip-off of the old-school heavy metal resurgence, and they get it absolutely right, including the schizophrenic vocals.
This will be my last Miles Davis upload for a while - I promise! - and whilst it's not quite up to the standard of much of his catalogue, it's still worth a listen. After all, Miles Davis couldn't make a bad album if he tried.
This is often overlooked, even in Mayhem's shallow back catalogue, but it's one of the most haunting pieces of music I've ever heard. Atilla's vocals are even more deranged than on 'De Mysteriis...', and the instruments create a background of a slowly growing sense of tension.
Somewhat overshadowed by the events that surrounded it (Euronymous' murder, church burnings etc.), this is still seen commonly as THE best black metal album. The riffing is haunting, and Atilla's vocals are incredible.
If you want necro, this is it. A very sloppy, simplistic approach at black metal (but nowhere near to the same extent as the Pure Fucking Armageddon demo, which is nigh-on unlistenable), that has Maniac on vocals. A nice mid-point between said demo and 'De Mysteriis...'.
The Dutch do death metal. Fact. For anyone who was disappointed with 'Spheres' (I'm undecided myself), this is the perfect solace. The outrageous, ridiculous artwork belies some top-quality death/thrash.
I'm probably going to be clearing out the shed today, as it were: I've got 7 or 8 albums already uploaded to post. This is Akercocke's most recent (last?) album, and it is awesome. A perfect combination of black, death and progressive metal elements.
Unfortunately, this was the only album released by Sorrow, along with an EP that's not on the same standard. Signed by Roadrunner when Roadrunner was a death metal label, Sorrow's death/doom is hugely emotional, and the vocals are some of the most intelligible you'll hear in the style.
From the astounding artwork to the music inside, this EP is a great package. Drawing on shoegaze and black metal, this perhaps originated the in-vogue post-black metal movement - some of the artists of which have already been posted here (Fen, Alcest, Dornenreich).
Another Miles Davis album, this one is more jazzy than the other two already posted. It's another one of his classics, and is certainly worth both downloading and listening to. He was one of the only artists who could produce classics in the twilight of his career.
This is underappreciated in Davis' vast catalogue, but as his last studio album, it's not only worth a listen for that alone, but it's also astoundingly good. The integration of rap stylings into it is surprisingly effective.
Altar Of Plagues are an Irish band, and are one of the best bands from that country. There appears to be a fair amount of influence from their countrymen Primordial, but also from the Burzumic axis.
One of the infamous Les Legiones Noires, Mütiilation created some spectacular black metal art over the years. This debut EP of theirs (although I think the files label it as a demo) is some of their most riff-based work; 'Desecrate Jesus Name' is spectacular.
Black Sabbath's first album with Ronnie James Dio, and it's one of their best. This marked a solid move away from doomy sounds and more into the area of classic heavy metal; this is still much loved today.
Modern Life Is War are the band that got me into melodic hardcore, and also the band that I always turn to for the genre after realising how shit most of it is. This is incredibly emotional, particularly by way of the vocals. Essential.
Well, this isn't quite a continuation of the grind theme, but it's supremely punky nonetheless. This is a short EP, and the first track ('War System') was covered by my beloved Atomski Rat. It's a cracking EP. I should also add that this is an Anti Cimex side project, if that means anything to you.
Continuing with the grindcore theme of the last few days, this is an undisputed classic. This is pretty much a perfect album - a fantastic, sumptuous blend of grindcore and death metal that everyone needs to hear.
I'm skipping out 'Honky Reduction' for now because I'm not too fond of that album, but this is ANb's most recent full-length, and although it's not as good as the debut (it's a little slow at times), the sheer quality of the lyrics makes up for it.
Right, I'm definitely not uploading a tracklist for this one! This is the release with the second shortest average track length (of roughly 12 seconds) that I know. 100 tracks in 20 minutes. Insane. Get it.
Agoraphobic Nosebleed, along with all of Scott Hull's projects, are batshit insane. This debut of theirs is some of the most manical, aggressive drum-machine grindcore you will ever hear. 38 songs in 33 minutes - FUCK YES.
Artist: Alcest
Artist: Alcest
Artist: Patti Smith (Group)
N.B. I'm trying a new format, tell me if you like it on the poll on the right.
If anything, this proves that metal truly is a universal language. I haven't a clue what any of their lyrics mean, or indeed song titles, but their heavy Maiden stylings make me enjoy this album immensely. Missing last two tracks.
I never really got into this one like I got into Slayer's other 'golden era' albums. It's all well and good, and it has some fantastic songs, but it didn't seem as cohesive as a whole to me. Still, bang your head to 'War Ensemble'.
This was the first Slayer album I heard, at the tender age of 12, and whilst I dismissed it as dad-rock the first time (really!), I kept coming back and back again, particularly to 'Silent Scream'. This great album was a turning point for me.
There isn't much to say about this, the next installation in Slayer's discography that hasn't already been said. Lauded as the 'best thrash album ever' - personally, I can think of three or four I prefer, but it's still excellent, and one that every metal fan should know intimately.
Slayer's live album offers a fascinating take on tracks previously recorded for Show No Mercy. Any Slayer fan should not pass this opportunity up. Plus, 'The Antichrist' has more batshit-ness on this than any other Slayer release.
This is Slayer's debut, pretty much at the dawn of thrash, and although it incorporates heavy doses of speed metal, it's easy to see why this is considered a heavy influence on the black metal scene. Araya has not sounded so demonic since.
N.B. The last two tracks (of 22) are missing here, but it doesn't make much difference.
This is Opeth's best album. It shows the seeds of their later progressive tendencies, but not in the overblown proportions that they would be found later on, often to the detriment of the listenability. Contains the monumental 'Demon Of The Fall'.
Seeing as Vreid are essentially Windir v2, there was always going to be pressure on them to produce; their first three are good, especially 'I Krig', but this is where they are at their best. Some of the catchiest black metal around.
Whilst Mastodon brought the idea of progressive sludge into vogue, others do it just as well, if not better. This, The Ocean's fourth album, is a departure from their earlier, more aggressive material. The closing one-two 'The Origin Of Species'/'The Origin Of God' is a joy.
This was the album that projected The Chasm (from Mexico) onto the international death metal scene. Showing the beginnings of progressive tendencies, as opposed to the doomy death of their first two albums, and indeed their work under the moniker Cenotaph, this is great.
Denmark, aside from Mercyful Fate/King Diamond, has never really had that much of an impact on the metal world, especially when compared to the rest of Scandinavia. This is, however, goat-obsessed metal that helps put Denmark up with the rest of them.
I believe that this is the first noise album I've posted, and I know relatively little about the genre, so apologies for any mistakes. Whitehouse were one of the first power electronics groups, and are still going strong with their mixture of 'social commentary' and harsh noise. This is fun.
This is modern powerviolence at its best. Somewhat unusual for the genre in that it omits the slower parts, this CD is unrelenting for its duration of 27 tracks in 13 minutes. Awesome stuff. Go for it.
I have added these together as the Shatter EP was intended as an accompaniment to Eparistera Daimones. This is a continuation from Celtic Frost's final spectacular album, Monotheist, and is nearly as good, which says a lot. It's a combination of black metal, doom metal and a tendency to oddity, and is a must-hear.
Given the band's name, and indeed the punny album title, it's probably little surprise that the Scottish Bonesaw are an Autopsy worship band, perhaps a little punkier than those legends, but nonetheless hugely derivative and therefore hugely enjoyable. This is the album Autopsy should have made instead of 'Shitfun'.
This, Fukpig's sophomore effort (although the word 'sophomore' sounds too posh for music as primal as theirs) is to me, their best so far, and the obvious rip-offs of 'De Mysteriis Dom Sathanas' in the title track and 'Angel Of Death' in 'This Is The News?' made me smile. There are probably more that I haven't noticed too, but it takes sheer audacity to rip off two of the most iconic riffs in metal.
Fukpig, featuring the entire Mistress lineup, as well as the Anaal Nathrakh lineup when playing live, call their style, which mixes black metal and grindcore 'necropunk' (indeed, they have a song named after it), but that's yet another pretentious tag I refuse to use.
As you can probably tell by the shape of the artwork, this was originally released on tape, but in my eyes, it deserves a wider, better distribution (although their Communist ideas may conflict with that), as their blend of crust punk and grindcore with a dollop of black metal on the side is some of the best music of this year so far.