Court In The Act: Dog Faced Hermans

About Court In The Act.

No albums are hosted here. All files must be deleted 24 hours after download, as they are for review and criticism purposes only - provided you follow this guideline, downloading from Court In The Act is legal as per s30(1) of the Copyright, Designs and Patents Act 1988. If any copyright holder has a problem with their material being posted here, get in touch and I will remove it. Let me know if any links are broken, I'll remove the post to prevent future annoyance, and will attempt to re-upload the file.

Comments make our work worthwhile. If you really enjoyed an album, tell us about it, we'd love to hear from you. If you hated it, tell us why.

Although music is a major part of all of our lives, we all have some form of external life. If there are periods in which no posts are added, I'm sorry, but that's how things happen. Even though I love blogging like this, sometimes I can't muster up the desire within myself to write about yet another album.

I'd like to say too that Court In The Act will never be run for personal profit. This means no advertisement, no premium schemes, and no LinkBucks. Megaupload is used because it strikes a fair balance between ease of upload and ease of download.

Thursday, 9 August 2012

Dog Faced Hermans - Hum of Life [1993]

Who doesn't like to hear some experimental punk from time to time? I do and if you do here's a punk release with heavy folk and jazz influences (even some noise), something in the vein of sonic youth given that both borrow much from the No Wave movement, the difference is that Dog Faced Hermans borrow more from the Louge Lizards and James Chance than Sonic Youth. The female vocalist also plays trumpet and the guitarist viola. The is like you would expect extremely weird and experimental punk with a strong jazzy feel.
This album in particular features their standard sound and it's awesome and I don't know what else to say, just download it wont bite you.

Download

1 comment:

AnonymousSeptember 09, 2016 12:18 am
This album is a gem. The musicianship exceeds the standard I've (happily) come to expect of post-punk without compromising the menacing energy innate to the genre. The production makes it all the better; it's emblematic of an aural sweet spot within the London style sound that's specific to the early nineties, so far as I've found. Studio nuance is applied without overstatement - a delicate mark to hit which, if managed, brings a complimentary vein of atmosphere to the recordings rather than disorienting "features". Sorry if that's too abstract to draw anything from - just listen to the album and intuit what I mean.
Cheers.
ReplyDelete
Replies

Add comment