About Court In The Act.
Comments make our work worthwhile. If you really enjoyed an album, tell us about it, we'd love to hear from you. If you hated it, tell us why.
Although music is a major part of all of our lives, we all have some form of external life. If there are periods in which no posts are added, I'm sorry, but that's how things happen. Even though I love blogging like this, sometimes I can't muster up the desire within myself to write about yet another album.
I'd like to say too that Court In The Act will never be run for personal profit. This means no advertisement, no premium schemes, and no LinkBucks. Megaupload is used because it strikes a fair balance between ease of upload and ease of download.
Thursday, 30 June 2011
Nocturnus - The Key [1991]
Similar artists: Demilich, Atheist, Death
192 kbps
Megaupload
Mozart, Wolfgang Amadeus - Piano Concerto #24 [1786]
320 kbps
Megaupload
Mozart, Wolfgang Amadeus - Piano Concerto #23 [1786]
320 kbps
Megaupload
Wednesday, 29 June 2011
Wold - Working Together For Our Privacy [2010]
Similar artists: Gnaw Their Tongues, TenHornedBeast, Burning Witch
~240 kbps VBR
Megaupload
Tuesday, 28 June 2011
Exumer - Possessed by Fire [1986]
mp3 @ 320 kbps
Megaupload
(By the way there's a minor error, the song 'Xiron Darkstar' has 'Darkstar' spelt with two words, which isn't correct in terms of the tracklist. I know it's nothing huge but errors like that really bug me so I thought I'd let you all know.)
Opeth - Still Life [1999]
REVIEW: Decrepitaph - Profane Doctrines Unburied [2011]
Sometimes, doing it right is better than doing it different or flashy. Death metal as a genre is going through several changes, with a major focus on bands doing everything they can not to sound like Death, Morbid Angel or Cannibal Corpse. They have embraced tri-tones, dissonance, bebop jazz and lyrics about Jungian psychology over buzz saw riffs, thrash beats and demons from hell mutilating and raping women. Not that there is anything wrong with trying to be different or technical: in fact, it’s a movement that has done nothing but help make death metal more mature and improve the academic arguments for the genre to be taken seriously as an artform.
But in the end, long time death metal fans crave good old skull bashing evil, and Decrepitaph’s new album, Profane Doctrines Unburied, provides just that. Decrepitaph have been churning out old-school, Autopsy-meets-Morbid Angel death/doom since 2006 at a record pace, with three full length albums, two EP’s and multiple splits already under their belt. The brutal 2-piece have drawn massive praise from the death metal community for their old school sound and attitude.
Profane Doctrines Unburied is the bands finest album to date. Loaded with tons of doom-y, brutal riffs, bowel rumbling bass and punching drums, it’s an album that could have come out fifteen years ago and not felt out of place. Songs like “Convulse in Eternal Agony", “A Suffocating Evil”, and “Horror Prevails” exemplify this old school brutality to a T. Everything about this record is old-school: the cover-art, the lyrics, the song titles. It feels like going back in a time machine to 1989, and that’s what makes this album feel so special. Don’t mistake this album, or this band for that matter, as merely old-school worship: Decrepitaph have add a level of energy and professionalism to their sound to separate them from the dozen’s of copy-cat death metal bands that dominate the barrel-bottom of the scene.
For death metal fans, Profane Doctrines Unburied is a mix of freshness and comfort that is likely to dominate their listening cycle. Many death metal fans have embraced the avant-garde, technical and genre-mashing of today as the necessary steps toward the evolution of the sound, as well as the steps needed for the genre to be taken seriously. But they will always offer up a virgin sacrifice to Satan for a band like Decrepitaph and an album like this.
Grade: 9/10
Download here
Jeff Beck - Emotion & Commotion [2010]
And here's my other favourite Jeff Beck album. As great as his '70s releases were, many of them don't offer much that "Wired" doesn't.
Radiohead - The Bends [1995]
Similar artists: R.E.M., Thom Yorke, Snow Patrol (really, fuck knows)
160 kbps
Link was taken down. Comment on this if you would like to see a reupload.
Jeff Beck - Wired [1976]
Monday, 27 June 2011
Ministry - Psalm 69 (The Way To Succeed And The Way To Suck Eggs) [1992]
Similar artists: Godflesh, Pitchshifter, Skinny Puppy (I'll admit, I know little about industrial (metal))
192 kbps
Megaupload
REVIEW: Ulcerate - The Destroyers Of All [2011]
Ulcerate are a band on a mission. A mission to make the most original, unique sounding death metal of a generation, all while keeping to the tenants of the genre: brutality and darkness. Over their entire discography, Ulcerate have pushed the boundaries of traditional brutal death metal to its very limit, often with mixed results and mixed fanfare. Some are bored and even offended by Ulcerate’s dissonant, atypical sound. Others are enthralled with the bands incredible creativity and hand cramping technicality.
The Destroyers of All, Ulcerate’s most recent release, in unlikely to change anyone’s long standing opinion’s about the band. While more cleanly produced, The Destroyers of All is still avant-garde, dissonant and complex brutal death metal like no one else plays it. It’s an album that will not make an immediate impact for most: it is not catchy, not easy to follow and not something for everyone. Their songs are long, sometimes overly long, and often grind out dozens of riffs in a seven minute span.
When The Destroyers of All works, it’s an amazing listen: the album starts off with a bang with one of its best tracks, “Burning Skies.” Surprisingly accessible for an Ulcerate track while at the same time exemplifying everything their rabid fans love, it’s a highly dissonant and heavy track, shifting effortlessly between tempos and riffs. “The Hollow Idols” is punishing and dark, and once again highly dissonant. It’s also refreshingly short at just over six minutes (short for this album at least). The vocals are one dimensional but brutal and fit the bands sound perfectly.
It’s that dissonance that both makes and breaks The Destroyers of All. Some are never going to like this album because of it. In fact, this album gave my friend a headache. It doesn’t help that the song length is often a hindrance: tracks feel over-stuffed with too many ideas, and it makes casual enjoyment of this album all but impossible. Had the band cut some of these songs up into a few shorter tracks, then it could have been an even stronger album. The final track on the album, “The Destroyers of All” is a ten minute borefest as well, hurting this album on the exit.
It’s been said a lot, but its and important point: The Destroyers of All is not for everyone. Between the bands amoebic song structure, extreme dissonance and punishing song length, some will spend only a few minutes with this album and toss it out the window, disgusted. But for those looking for a truly unique, truly original death metal experience that pushes boundaries like no other, then this album is absolutely perfect for you.
Grade: 8/10
Download here.
Sunday, 26 June 2011
Summoning - Stronghold [1999]
Similar artists: Isengard, Falkenbach, Agalloch
320 kbps
Megaupload
The Axis Of Perdition - Tenements (Of The Anointed Flesh) [2011]
Similar artists: Blut Aus Nord, Deathspell Omega, Abgott
~240 kbps VBR
Megaupload
REVIEW: Trap Them - Darker Handcraft [2011]
Metal and hardcore have not always gotten along. Hardcore purists were disgusted with the hard-party antics and musical snobbery of metalheads, while metalheads scoffed at hardcore’s simplistic musical style and what they perceived as a stuck up straight edge philosophy. And while metalcore, a mix of the two genres, has become arguably the most popular form of extreme music in history, purists on both sides still don’t get along.
There have been a handful of bands, however, that have transcended this decades long war and become darlings of both sides. Early crossover thrash bands like Vio-Lence and DRI were some of the first, followed closely by the grindcore and power violence bands of the late 80’s and early 90’s like Extreme Noise Terror and Infest. Then came Converge, one of the greatest extreme music artists in history, whose blistering mix of hardcore and grindcore made them beloved on both sides. A handful of technical metalcore bands, like The Red Chord and Between the Buried and Me, have also made in roads. But there are few bands that can claim fans on both sides of this struggle.
Trap Them are one of those bands. Since the band’s debut album Sleepwell Deconstructor, Trap Them have claimed both hardcore and metal purists as fans. Their combination of hardcore tempo, vocals and energy with a brutal guitar tone any metalhead would love has made them one of the hottest young acts in both scenes. The crowd during their live performances is often split down the middle, with separate mosh pits and dance pits(and the more than occasional fist fight).
Darker Handcraft, the bands most recent release, exemplifies this synthesis of the two genres as well as any album ever produced. Avoiding the pratfalls that doom many bands who combine the genres, Trap Them have created a dark, pulsating hardcore sound that drips with emotion (namely rage, hate and disgust), but that is also surprisingly technical and musically innovative. There is something here for everyone: “Slumcult & Gather” pummels the listener with thrash-y riffs and pounding drums while occasionally shifting into two-step hardcore and old school grindcore, while “Manic in the Grips” will make any fan of Integrity grin. The final track, “Scars Align,” is a mix of mid-tempo death metal and sludgecore that smashes the listeners skull in and uses their brain as a kickball. The bands penchant for technical riffs and diverse song structure, the aspects that make them so appealing to metal fans, is stronger than ever on Darker Handcraft, but they retain the energy and tempo’s that gets dance pits started.
By far one of the best albums of the year, Darker Handcraft is one of those rare crossover albums that stands up to the demands of two different genres at once while at the same time transcending them. This album is likely to join Jane Doe, Slave and a handful of other releases as among the greatest crossover albums ever to have been released.
Rating: 9.5/10
Download here.
REVIEW: Iron And Wine - Kiss Each Other Clean [2011]
Sam Beam, or perhaps better known as his moniker “Iron and Wine,” has been one of the defining artists of his generation. Beam’s first three musical outputs, the EP Sea & the Rhythm, his debut full length Creek Drank the Cradle, and his most beloved album Our Endless Numbered Days, brought American folk music to a new generation. Legions of lesser artists are still imitating his lo-fi, “whisper folk” sound even to this day.
It’s a wonder that Beam has spent the last 5+ years doing everything he can to escape the sound that made him so influential. It was obvious Beam planned to up the volume a bit in 2005 when he released the fantastic, bluegrassy Woman King EP early that year and then performed with Alt Country legends Calexico on the album In the Reigns. But fans were not prepared for 2007’s The Sheppard’s Dog, which had Beam completely abandoning his roots in favor of psychedelic Country rock and smoky Blues rhythms. It was a lot to take in for fans, and it left his massive fan base shell shocked. In the end, The Sheppard’s Dog proved both brilliant and folly: an album that makes a bad first impression but grows on you like weeds in a flower bed.
So the expectations for Kiss Each Other Clean, his newest offering, were obvious: another major step away from his whisper folk sound into another new sound. And indeed, Kiss Each Other Clean is filled with tracks completely different from anything Beam has ever done. It’s an album that is most defiantly looking forward, but also takes a deep, introspective look back on the sights and sounds of the past. It’s both a defiant challenge to long time listeners and a concession to their desires. And it is because of this contrasting focus that Kiss Each Other Clean is arguably Beam’s finest work. It’s an album that’s brilliance shines through instantly and enthralls the listener, begging them to delve deeper into it.
The albums opener, “Biting Your Tail”, shows just how far Beam is willing to go: an electronic, almost light rap/R&B tune with a head-bobbing bass line and plenty of electronic beeps and a heavy dose of synth. Beam rhymes through the whole song, playing up the hip-hop angle seemingly just to drive fans of his older material insane. Beam does not stop challenging his listeners here, however: “Tree By the River” is classic 70’s soft rock with a folksy undertone, “Me and Lazarus” plays up the funk to 11, and the albums best track, “Your Fake Name is Good Enough For Me” is filled to bursting with saxophones, jazzy electric guitars and funky percussion before evolving into an almost operatic Rock song that ends in a crescendo of static, blasting guitar licks and Beams falsetto hauntingly proclaiming “we will/become, become.”
Tracks like “Half Moon” stand in stark contrast to these to those songs: it’s classic Beam, just him, his acoustic guitar, a little piano and a little female back-up vox. Beam’s voice, which was once only a whisper for both stylistic and ability reasons, is stronger than it has ever been, and the only difference between “Half Moon” and the rest of Beam’s early catalogue is his strong voice, which now soars over the song as opposed to melting in with it. “Glad Man Singing” follows a similar path, and while “Godless Brother in Love” makes extensive use of piano and layered voices, the overall structure of the song would fit in perfectly with any track on Our Endless Numbered Days. The albums single, “Walking Far From Home” is a unique combination of both the new Beam and the Old: lyrically, its pure folk, but musically it’s a mix of drums, layered voices, synth, piano and guitar. It’s such a perfect unison of the two Beam’s as to be almost glorious(a certain Greatest American Artist of All Time keeps it from being great.)
Perhaps the saddest thing about Beam’s musical evolution is that so few seem to be truly enjoying it for the glorious transformation it is: his sudden shift in style has left a lot of his fan base cold and an unforgiving media furious. Where once Beam was named among the great songwriters of his generation, he is now an afterthought among most still bitter over the changes made. This has not deterred Beam in the slightest, and if ever there was a thing to be thankful for, it is that.
Grade: 10/10
No download presently available.
Saturday, 25 June 2011
King Crimson - Red [1974]
King Crimson - In The Court Of The Crimson King [1969]
Swans - My Father Will Guide Me Up A Rope To The Sky [2010]
N.B. Files are incorrectly tagged as from the UK.
Similar artists: Jarboe, Current 93, Godflesh
320 kbps
Megaupload
Terror Of Dynamite Attack - Behind The Exploitation Of Their Richness Nature [2010]
Similar artists: Wormrot, Flagitious Idiosyncrasy In The Dilapidation, ACxDC
256 kbps
Megaupload
A message to all other blog owners
This 'making money' includes, but is not limited to:
- Putting third-party ads on your blog (aside from the advertisement which is generated from your posting of the albums) - this includes Google Adsense and all similar programs, or even advertising companies which one has found themselves.
- Using filehosts which pay users for their files being downloaded (it just so happens that these tend to have a poor free service) - again, this includes, but is not limited to, Filesonic, Fileserve, Oron and Wupload. LinkBucks also falls under this category. I am fine with Rapidshare's scheme which allows you to get points towards premium membership with downloads. Some of the good filehosts I've found (best to worst) are Megaupload, Mediafire, Zippyshare, Hotfile, Rapidshare, and Depositfiles.
- Sponsored reviews, unless clearly labelled as such. This should be pretty self-explanatory.
- ASKING FOR PAYMENT FOR LINKS TO ALBUMS. This is simply disgusting.
- Requiring subscription to a paysite for downloads, and asking for people to use your referral code.
I will not name any blog in particular. You know who you are.
Comment on what you think of this, and tell me if there's anything I've missed off.
Friday, 24 June 2011
Inquisition - Nefarious Dismal Orations [2007]
Similar artists: Black Witchery, Teitanblood, Terra Noir
320 kbps
Megaupload
Thursday, 23 June 2011
Court In The Act Presents Thrash: Parts I-V
Absu
Annihilator
Anthrax
Aura Noir
Bathory
Blood Tsunami
Celtic Frost
Dark Angel
Deiphago
Demolition Hammer
Deströyer 666
Destruction
Dew-Scented
Evile
Exodus
Flotsam & Jetsam
Forbidden
Heathen
Hellhammer
Hobbs' Angel Of Death
Holy Terror
Impaled Nazarene
Kreator
Lawnmower Deth
Legion Of The Damned
Manilla Road
Metal Church
Metallica
Morbid Saint
Mutant
Nifelheim
Pestilence
Possessed
Razor
Ripping Corpse
Sacrifice
Sadus
Sarcófago
Sepultura
Sextrash
Skeletonwitch
Slayer
Sodom
SSS
Testament
Toxic Holocaust
Venom
Violator
Vomitor
Vulcano
LINKS:
Part I
Part II
Part III
Part IV
Part V
All parts in one archive
Court In The Act Presents Thrash Pt. V: 21st Century Thrash
Tracklisting:
1. Absu - Pillars Of Mercy (from Tara)
2. Evile - Schizophrenia (from Enter The Grave)
3. Toxic Holocaust - Nuke The Cross (from An Overdose Of Death)
4. Heathen - Arrows Of Agony (from The Evolution Of Chaos)
5. SSS - New Dogs (from SSS)
6. Aura Noir - Schitzoid Paranoid (from Hades Rise)
7. Legion Of The Damned - Legion Of The Damned (from Malevolent Rapture)
8. Violator - Atomic Nightmare (from Chemical Assault)
9. Vomitor - Neutron Hammer (from Devils Poison)
10. Mutant - Turbo Hyper Ultra Mega Power (from Laserdrome)
Megaupload
Luciferion - Demonication (The Manifest) [1994]
Similar artists: Entombed, Deicide, Morbid Angel
256 kbps
Megaupload
Wednesday, 22 June 2011
Court In The Act Presents Thrash Pt. IV: Lost Gems Of Thrash
Tracklisting:
1. Manilla Road - Crystal Logic (from Crystal Logic)
2. Razor - Behind Bars (from Violent Restitution)
3. Metal Church - (My Favourite) Nightmare (from Metal Church)
4. Flotsam And Jetsam - Desecrator (from Doomsday For The Deceiver)
5. Sacrifice - Existence Within Eternity (from Soldiers Of Misfortune)
6. Ripping Corpse - Anti God (from Dreaming With The Dead)
7. Lawnmower Deth - The Seventh Church Of The Apocalyptic Lawnmower (from Ooh Crikey It's Lawnmower Deth!)
8. Sextrash - Alcoholic Mosh (from Sexual Carnage)
9. Hobbs' Angel Of Death - Jack The Ripper (from Hobbs' Angel Of Death)
10. Holy Terror - Debt Of Pain (from Mind Wars)
Megaupload
The Vanishing - In The Bat Haus EP [2002]
Similar artists: (N/A, I know next to nothing about goth)
192 kbps
Megaupload
Tuesday, 21 June 2011
Disfear - Live The Storm [2008]
Similar artists: Discharge, Dishammer, Atomski Rat
160 kbps
Megaupload
Court In The Act Presents Thrash Pt. III: Left Hand Thrash
Tracklisting:
1. Pestilence - Parricide (from Malleus Maleficarum)
2. Nifelheim - Unholy Death (from Nifelheim)
3. Demolition Hammer - Aborticide (from Epidemic Of Violence)
4. Deströyer 666 - Australian And Antichrist (from Unchain The Wolves)
5. Forbidden - Step By Step (from Twisted Into Form)
6. Impaled Nazarene - Whore (from Motörpenis)
7. Skeletonwitch - Soul Thrashing Black Sorcery (from Beyond The Permafrost)
8. Blood Tsunami - Let Blood Rain (from Thrash Metal)
9. Dew-Scented - Arise From Decay (from Invocation)
10. Deiphago - Angel RapeSlay (from Satanik Eon)
Megaupload
Monday, 20 June 2011
Morbid Saint - Spectrum Of Death [1988]
Similar artists: Demolition Hammer, Kreator, Sodom
320 kbps
Megaupload
Court In The Act Presents Thrash Pt. II: Precursors To Extremity
Tracklist is as follows:
1. Hellhammer - Maniac (from Triumph Of Death)
2. Celtic Frost - Procreation (Of The Wicked) (from Morbid Tales)
3. Bathory - Bestial Lust (Bitch) (from The Return...)
4. Venom - Countess Bathory (from Black Metal)
5. Possessed - Death Metal (from Seven Churches)
6. Dark Angel - Darkness Descends (from Darkness Descends)
7. Sarcófago - Nightmare (from INRI)
8. Morbid Saint - Lock Up Your Children (from Spectrum Of Death)
9. Sadus - Torture (from Illusions (Chemical Exposure))
10. Vulcano - Spirits Of Evil (from Bloody Vengeance)
Megaupload
Sunday, 19 June 2011
Court In The Act Presents Thrash Pt. 1: Legends Of Thrash
This first one is an introduction to the key bands in the genre. Tracklisting is as follows:
1. Metallica - Whiplash (from Kill 'Em All)
2. Slayer - The Antichrist (from Show No Mercy)
3. Anthrax - Caught In A Mosh (from Among The Living)
4. Exodus - Metal Command (from Bonded By Blood)
5. Testament - C.O.T.L.O.D. (from The Legacy)
6. Kreator - Pleasure To Kill (from Pleasure To Kill)
7. Sodom - Blasphemer (from In The Sign Of Evil)
8. Sepultura - Arise (from Arise)
9. Destruction - Unconscious Ruins (from Release From Agony)
10. Annihilator - Human Insecticide (from Alice In Hell)
Megaupload
Lawnmower Deth - Ooh Crikey It's Lawnmower Deth! [1990]
Similar artists: Metal Duck, Cryptic Slaughter, S.O.D.
128 kbps
Megaupload
Saturday, 18 June 2011
Sun Ra And His Arkestra - Jazz In Silhouette [1958]
Sun Ra is one of the most under-appreciated jazz musicians around. Although I'm by no means an expert on his music, this is my favourite of his thus far - it's not particularly experimental, but has an edge on most jazz and blues of its time (except, of course, for Kind Of Blue).
Similar artists: Ornette Coleman, Charles Mingus, John Coltrane
~160 kbps VBR
Megaupload
REVIEW: Médiocre Fin - Acte Premier demo [2011]
Médiocre Fin is a French project which creates an interesting mixture of drone and noise – the drone part being the repetition, and the noise part being the way in which musical ideas are expressed. This, to my knowledge, is one of only two demos released thus far, but its quality has certainly piqued my interest, and I shall be hugely interested in future releases (if I've understood correctly, they have a concept album based around a magical village called Thiers coming).
Despite this, I must admit I was a little apprehensive upon learning that this demo consisted of one 23-minute track – when done poorly, long drone pieces can be frankly nauseating, and not in a good way. Thankfully, this was not the case. Although the main motif around which the piece is based is, by definition, monotonous, it is created in such a way that it has a hypnotic quality to it rather than one which is boredom-inducing, much like the way that the repetition of riffs in Burzum’s music is endearing, rather than annoying.
Throughout the duration, said motif changes subtly from time to time, and although it is still obvious as the track approaches its midway mark to hear that it is the same piece – mainly due to the general styles employed – this motif has changed substantially, although the piece culminates with a full circle to something very similar to the original motif (which happens to sound surprisingly like modern iterations of Doctor Who’s tardis). These changes give a progressive feeling to the piece – not, however, progressive like the pretentious frolics of Genesis and their ilk.
Swirling around this, creating a veritable maelstrom of… well, noise, are simplistic bass frequencies and the odd bit of feedback – the only real melody to be found in the piece is a subtle one found within these bass frequencies. This melody is slow moving, and at times difficult to pick out, certainly without concentration, but its chromatic approach is similar to the way that Masami Akita, aka Merzbow, has approached digital noise in the past, although, being done in a drone style, is far less percussive than the ways of the Japanese genius. This is not to the detriment of the music; it is merely different, and variation is everything within the noise genre which has become so saturated with the proliferation of the internet.
Indeed, the only percussive element to be found in the piece comes from the motif, which easily blends into either the background or the foreground over time like the ticking of a clock, as the bass takes on a ‘wall of sound’ attribute, and is omnipresent without ever being overly relentless – the oppressive, claustrophobic nature that already exists in the demo might overwhelm the listener if the bass were to become any more pronounced.
The demo is not without its flaws – it would be a spectacular achievement if it were – for one, the whole thing is far too quietly produced; although this might be easily fixed by fiddling with a few dials, it would be far more pleasing if the thing were roughly at the volume of a normal recording. That said, it is best heard, I have found, at a moderate level, to allow the expansive soundscapes to wash over you.
Speaking of the soundscapes, however, the almost euphoric, dreamlike existence which can be afforded to the listener at times during the piece is frequently broken by transitions which are all too awkwardly done – there is actually a break in the sound at around 13:30, which certainly serves as an unwanted wakeup call. Although this breaks the monotony, to me, the point of listening to drone is to allow the music to carry you through dreams and pictures painted by the dynamics (however gruesome those pictures may be), and the hoppy movement between sections, particularly across larger changes in the motif, is akin to being woken up from a pleasant dream with a bucket of cold water and a slap across the face.
Thankfully, these two are the only major problems, and together do not detract too much from the overall quality of the piece. If you would like to be transported to another world for 23 minutes (including the starting silence to crescendo and ending diminuendo, back to silence – a nice roundabout touch), then you can certainly do far worse than this. A well-constructed effort, and I look forward to listening to their second demo, somewhat predictably titled Acte Second.
Download here (Mediafire).
Check out their official blogspot here (written in French).
Rammstein - Mutter [2001]
.mp3 @ 320 kbps
Link was taken down. Comment on this if you would like to see a reupload.
Friday, 17 June 2011
Porcupine Tree - Fear of a Blank Planet [2007]
.m4a @ 320 kbps VBR
Link was taken down. Comment on this if you would like to see a reupload.
Dream Theater - Systematic Chaos [2007]
Similar artists: Threshold, Queensrÿche, Fates Warning
160 kbps
Link was taken down. Comment on this if you would like to see a reupload.
Prostitute Disfigurement - Deeds Of Derangement [2003]
Similar artists: Gorgasm, Origin, Hour Of Penance
320 kbps
Megaupload
Thursday, 16 June 2011
Eyehategod - Take As Needed For Pain [1993]
Similar artists: Melvins, Side B of Black Flag's 'My War', Crowbar
~260 kbps VBR
Megaupload
Blue Cheer - Vincebus Eruptum [1968]
192 kbps
Similar artists: Black Sabbath, Jex Thoth, Black Widow
Megaupload
Wednesday, 15 June 2011
Clutch - Blast Tyrant [2004]
Tool - 10,000 Days [2006]
Link was taken down. Comment on this if you would like to see a reupload.