Court In The Act: Lock Up

About Court In The Act.

No albums are hosted here. All files must be deleted 24 hours after download, as they are for review and criticism purposes only - provided you follow this guideline, downloading from Court In The Act is legal as per s30(1) of the Copyright, Designs and Patents Act 1988. If any copyright holder has a problem with their material being posted here, get in touch and I will remove it. Let me know if any links are broken, I'll remove the post to prevent future annoyance, and will attempt to re-upload the file.

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Although music is a major part of all of our lives, we all have some form of external life. If there are periods in which no posts are added, I'm sorry, but that's how things happen. Even though I love blogging like this, sometimes I can't muster up the desire within myself to write about yet another album.

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Showing posts with label Lock Up. Show all posts

Tuesday, 13 December 2011

Lock Up - Necropolis Transparent [2011]

Upon hearing the announcement that Lock Up were extending their reformation to an album, I, like many others, nearly shit my pants with excitement. Listen to this, and you'll know why. A sumptuous concoction of death/grind, the quality of the members of this supergroup shines through in this. Although Lindberg, for instance, may be better known for his role in Slaughter Of The Soul, this is testament to the fact that he should have been in a grind band right from the start.

320 kbps

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Thursday, 1 December 2011

Lock Up - Hate Breeds Suffering [2002]

Lock Up is a grind supergroup, at the time of this release featuring Tomas Lindberg (At The Gates amongst others), Jesse Pintado (Brujeria, Napalm Death, Terrorizer) (R.I.P.), Shane Embury (don't ask), and Nick Barker (Brujeria, Cradle Of Filth, Dimmu Borgir). This is a fucking masterpiece of death/grind - one that was not matched by their previous, Pleasures Pave Sewers, or their new one, Necropolis Transparent (although both are excellent in their own right). Bile, riffs, and catchy (almost) vocal lines seethe through this piece. I thoroughly recommend it. And when have I ever let you down, faithful reader?

160 kbps

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